Artist: Scott Walker
Designer: Cover photography and image manipulation – David Scheinmann, Concept and hand – Scott Walker, Studio photography – Phil Knott, Art direction and design – Stylorouge.
Type of music: Devastating
Notes: You might think this isn’t a particularly remarkable piece of design and you might be right. However, the layout of the words, the paring down of sentences into knotted clusters clearly reflects Scott Walker’s stripping away of surface to reach into the essence of experience/sensation/thought/impulse/feeling. (What is left at the end of that process is up to the listener to make sense of.) The main image – hands, feathers, the unblinking eye of an owl or hawk, the implication of darkness, perhaps desperation, flight – is tremendously visually intuitive when related to Tilt’s journeys, passages, angles, feelings. I even love the Fontana CD label with its burgundy red and gold, redolent of the labels of earlier periods.
Scott Walker’s music and words are, in my opinion, some of the very greatest of the twentieth century. It’s with Tilt that visual design and music become nearly synonymous for me. How to separate them? I wonder whether it’s even necessary to contemplate, but it’s entirely relevant to the mission of Hard Format – Tilt wouldn’t be the same without these blurred images, these muted colours, this layout.
And here it is in its scratched and mussed-up jewel case:
I’m going to cover The Drift soon here. Vaughan Oliver’s design is an admirable counterpart to the dark horror of Scott Walker’s most recent recording. While I was writing this post, I wondered for the first time whether Tilt was ever released on vinyl. Turns out it was, in the US only on Drag City. Time to secure a copy.