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	<title>Comments on: Cabaret Voltaire &#8211; Micro-Phonies</title>
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	<link>http://www.hardformat.org/3929/cabaret-voltaire-micro-phones/</link>
	<description>Reaching for the sublime in music design (album covers, cd art, record design)</description>
	<lastBuildDate>Wed, 08 Sep 2010 08:47:03 +0000</lastBuildDate>
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		<title>By: Rob</title>
		<link>http://www.hardformat.org/3929/cabaret-voltaire-micro-phones/comment-page-1/#comment-15763</link>
		<dc:creator>Rob</dc:creator>
		<pubDate>Wed, 06 Jan 2010 11:48:04 +0000</pubDate>
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		<description>One of the first album sleeves that really grabbed me when I was studying Graphic Design at college. Neville Brody&#039;s design for the music industry was nothing short of brilliant.

On another note, the opening track &#039;Do Right&#039; is epic. More musical genius from the &#039;City of Steel&#039;.</description>
		<content:encoded><![CDATA[<p>One of the first album sleeves that really grabbed me when I was studying Graphic Design at college. Neville Brody&#8217;s design for the music industry was nothing short of brilliant.</p>
<p>On another note, the opening track &#8216;Do Right&#8217; is epic. More musical genius from the &#8216;City of Steel&#8217;.</p>
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		<title>By: Jinsai</title>
		<link>http://www.hardformat.org/3929/cabaret-voltaire-micro-phones/comment-page-1/#comment-14754</link>
		<dc:creator>Jinsai</dc:creator>
		<pubDate>Mon, 23 Nov 2009 16:47:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.hardformat.org/?p=3929#comment-14754</guid>
		<description>Truly arresting design. I also really liked the album.

Same with &quot;The Arm Of The Lord&quot;.

Keep up the great work!</description>
		<content:encoded><![CDATA[<p>Truly arresting design. I also really liked the album.</p>
<p>Same with &#8220;The Arm Of The Lord&#8221;.</p>
<p>Keep up the great work!</p>
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		<title>By: SOUNDS LIKE ME // PAUL SNOWDEN &#124; record covers without further comment that revolutionized graphic design and not the other way round part 8</title>
		<link>http://www.hardformat.org/3929/cabaret-voltaire-micro-phones/comment-page-1/#comment-14421</link>
		<dc:creator>SOUNDS LIKE ME // PAUL SNOWDEN &#124; record covers without further comment that revolutionized graphic design and not the other way round part 8</dc:creator>
		<pubDate>Wed, 11 Nov 2009 09:36:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.hardformat.org/?p=3929#comment-14421</guid>
		<description>[...] website hardformat bet me to it, with this, in vision and sound, inconic caberet voltaire record micro-phonies from [...]</description>
		<content:encoded><![CDATA[<p>[...] website hardformat bet me to it, with this, in vision and sound, inconic caberet voltaire record micro-phonies from [...]</p>
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		<title>By: John Coulthart</title>
		<link>http://www.hardformat.org/3929/cabaret-voltaire-micro-phones/comment-page-1/#comment-14385</link>
		<dc:creator>John Coulthart</dc:creator>
		<pubDate>Tue, 10 Nov 2009 00:10:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.hardformat.org/?p=3929#comment-14385</guid>
		<description>Micro-Phonies, surely? (In your title.) The title was from an old comedy film, as I recall, The Three Stooges or similar. Brody says in one of his books that the crosses were meant to imply the marks you see on outer space photography. He used gunsight shapes for a later CV release.

I always preferred his design for The Crackdown, album and singles, over this one, especially the way he adjusted the design across three different releases. It&#039;s also my favourite CV album so I suspect that colours the appreciation. The snaking layout of the type for that album&#039;s inner sleeve was a revelation at the time.</description>
		<content:encoded><![CDATA[<p>Micro-Phonies, surely? (In your title.) The title was from an old comedy film, as I recall, The Three Stooges or similar. Brody says in one of his books that the crosses were meant to imply the marks you see on outer space photography. He used gunsight shapes for a later CV release.</p>
<p>I always preferred his design for The Crackdown, album and singles, over this one, especially the way he adjusted the design across three different releases. It&#8217;s also my favourite CV album so I suspect that colours the appreciation. The snaking layout of the type for that album&#8217;s inner sleeve was a revelation at the time.</p>
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